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Wagner - Siegfried Akt 2: Siegfried vs Fafner in Full score.

Jamie Holdham

1:38	Est. Play Time
48	Measures
	1,629Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
Bass-Tuba. (in C.)	19	0	9	5	94%
Contrabasse Posaunen.	24	0	13	5	94%
Contrabasse Tuben.	26	0	13	5	94%
Bassclarinetten.	18	0	7	5	88%
BRATSCHEN.	24	14	9	5	85%
Violoncelle.	31	5	14	6	83%
Contrabasse.	22	3	10	7	81%
I. Violinen. II.	27	4	11	6	75%
Bass-Tuba. (in B.)	28	0	12	4	75%
Violins	27	4	11	6	75%
Horner. (in F.)	16	2	5	5	70%
Horn in F	15	2	5	5	70%
F Trumpet	2	0	1	4	13%
	12	0	1	6	65%
Tenor-Tuba. (in Es.)	21	1	9	4	63%
Clarinetten. (in Bb.)	13	4	5	5	61%
B♭ Clarinet	27	3	11	5	57%
(2 Tenor.) 3 Posaunen. (1 Basse.)	14	0	4	6	54%
Tenor Trombone	15	0	4	6	54%
3 Hoboen.	13	6	4	5	54%
2 Trompetten. (in F.)	14	1	2	5	52%
Oboe	16	4	6	5	51%
Englishes Horner.	16	0	6	5	50%
Bass Trompeten. (in D.)	9	0	3	6	38%
Flute	4	2	2	3	24%
3 Floten.	6	0	2	4	19%
Timpani	3	0	1	4	15%
2 Pauken.	3	0	1	4	10%

Wagner - Tristan und Isolde Vorspiel to Akt 3. {Professional production full score.}

Jamie Holdham

0:01	Est. Play Time
97	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
Violoncelli.	23	2	6	5	43%
Englishches Horn.	20	0	6	10	43%
Bratschen.	19	0	8	5	40%
Kontrabasse.	12	0	3	6	34%
Violoncellos	14	2	4	3	24%
Bassoon	6	0	1	3	23%
II. in F.	10	0	2	4	20%
Fag.	11	0	4	6	14%
Violas	13	0	6	5	9%
I. in F.	13	0	5	3	8%
Hob.I.	10	0	6	4	6%
B♭ Clarinet	8	0	4	6	5%
IV. in E.	6	0	2	3	5%
III. in E.	9	0	3	4	4%
Klar. in B.	6	0	2	3	2%

Wagner - Lohengrin Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

10:23	Est. Play Time
75	Measures
	2,059Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	12	0	5	9	32%
	36	0	19	14	97%
View all 25 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	12	0	5	9	32%
	36	0	19	14	97%
	32	12	18	13	96%
	28	0	17	12	59%
	29	0	16	13	59%
	11	0	3	10	32%
	10	0	2	9	32%
	9	0	4	10	32%
Flute	25	2	13	13	84%
	24	0	13	10	60%
A Clarinet	36	6	19	12	79%
Oboe	21	2	14	13	78%
Bassoon	36	38	22	11	66%
English Horn	22	0	11	11	59%
Bass Clarinet	36	0	16	10	56%
Horn in F	24	3	10	12	49%
	23	8	9	12	54%
Violas	24	9	14	12	47%
Violoncellos	27	1	14	12	40%
Contrabasse.	19	0	11	10	39%
Trombone	24	19	12	12	36%
Tuba	13	0	8	11	27%
D Trumpet	11	4	8	11	27%
	8	0	2	7	16%
Timpani	2	0	0	3	19%

Wagner - Tristan und Isolde Overture to Akt 3. Professional production full score.

Jamie Holdham

10:07	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	28	0	8	6	47%
Violins	26	0	9	6	47%
Violoncelli.	23	2	6	5	43%
Englishches Horn.	20	0	6	10	42%
Bratschen.	20	0	8	5	40%
Kontrabasse.	12	0	3	6	34%
Violoncellos	14	2	4	3	24%
Bassoon	6	0	1	3	23%
II. in F.	10	0	2	4	20%
Fag.	11	0	4	6	13%
Violas	13	0	6	5	9%
I. in F.	13	0	5	3	8%
Hob.I.	10	0	6	4	6%
B♭ Clarinet	8	0	4	6	5%
IV. in E.	6	0	2	3	5%
III. in E.	9	0	3	4	4%
Klar. in B.	6	0	2	3	2%

Wagner - Siegfried Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:57	Est. Play Time
46	Measures
	1,369Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLINEN.	26	0	10	8	100%
BRATSCHEN.	24	0	9	4	100%
Contrabasse.	25	0	11	8	100%
Violins	23	0	9	8	100%
Violoncelle.	27	0	12	8	100%
FAGOTTEN.	28	8	9	8	90%
1. BASS-TUBA. (in B.)	21	2	10	8	88%
CONTRABASS-TUBA.	18	0	5	7	82%
BASS-CLARINETTE. (in B.)	23	0	7	7	75%
2 TENOR-TUBEN. (in Es.)	11	5	2	7	69%
Bassoon	26	0	9	7	68%
3 POSAUNEN.	21	5	7	7	63%
HORNER.	18	0	8	9	53%
2. BASS-TUBA.	10	0	6	7	50%
PAUKEN. (1. PAAR.)	2	0	0	4	43%
TROMPETEN.	8	0	3	5	38%
HOBOEN.	17	0	7	3	35%
CONTRABASS- POSAUNE.	6	0	3	2	32%
BASS TROMPETEN.	8	0	2	6	29%
CLARINETTEN.	17	0	8	4	25%
B♭ Clarinet	16	0	7	3	21%
Englisch Horn.	13	0	6	4	21%
F Trumpet	6	0	3	6	21%
Oboe	14	0	6	3	21%
Horn in F	15	7	5	3	21%
GROSSE FLOTEN.	4	1	1	3	14%
Flute	5	3	1	3	14%
Trombone	10	0	3	6	14%
Kleinen Floten.	2	0	1	2	7%
PAUKEN. (2. PAAR.)	1	0	0	1	7%

Wagner - Parsifal Vorspiel to Akt 3. {Professional production full score.}

Jamie Holdham

5:29	Est. Play Time
44	Measures
	1,198Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Violinen. 2.	34	0	21	13	100%
Violoncelle.	27	0	19	13	98%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Violinen. 2.	34	0	21	13	100%
Violoncelle.	27	0	19	13	98%
BRATSCHEN.	25	8	18	12	93%
Violins	25	8	17	13	89%
Contrabasse.	23	0	14	10	50%
Bassoon	19	0	10	10	39%
	19	0	10	8	39%
ENGLISCHES HORN.	16	0	9	9	39%
Horn in F	22	5	8	8	38%
	15	0	8	8	34%
	19	5	7	8	31%
3 POSAUNE.	11	0	4	6	37%
B♭ Clarinet	20	0	11	9	32%
	12	0	4	8	16%
3 FAGOTT.	15	0	9	6	32%
3 CLARINETTEN. (in B)	22	6	12	10	30%
4 HORNER. (in F)	14	0	6	8	30%
BASS TUBA.	11	0	4	6	30%
CONTRAFAGOTT.	14	0	7	8	25%
Oboe	9	0	2	5	7%
	11	0	5	8	23%
Bass Trombone	10	0	4	7	23%
3 HOBOEN.	18	0	6	10	20%
Tenor Trombone	9	0	3	5	20%
BASS CLARINETTEN. (B)	10	0	6	5	14%
Floten.	10	0	3	4	5%
Pauken.	1	0	0	2	5%

Wagner - Parsifal Vorspiel to Akt 2 Klingsor's Zauberschloss. {Professional production full score.}

Jamie Holdham

2:33	Est. Play Time
68	Measures
	1,795Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLONCELLE..	29	0	15	7	89%
BRATSCHEN.	27	4	11	8	88%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLONCELLE..	29	0	15	7	89%
BRATSCHEN.	27	4	11	8	88%
CONTRABASSE.	28	0	13	6	84%
Bassoon	8	1	2	4	20%
	27	9	12	7	73%
E Horn	22	5	9	7	73%
Violoncellos	25	0	10	6	71%
3 POSAUNEN.	15	6	8	7	71%
4 HORNER.	20	5	9	6	68%
BASSCLARINETTE. (A)	24	0	8	7	65%
Violins	35	1	16	8	65%
2 CLARINETTEN. (A)	35	2	13	8	62%
1. VIOLINEN. 2.	34	1	15	8	59%
CONTRAFAGOTT.	16	0	9	6	59%
HOBOEN.	17	4	7	5	54%
3 FAGOTTE.	21	4	8	7	48%
ALTHOBOE.	19	0	7	6	47%
A Clarinet	14	3	5	5	47%
BASSTUBE.	16	0	8	6	44%
Trombone	11	0	5	6	44%
Oboe	12	0	6	5	38%
FLOTEN.	15	1	7	6	35%
TROMPETTEN. (F)	14	0	8	6	28%
F Trumpet	11	0	6	7	17%
Flute	8	0	3	5	17%
Contrabasses	20	0	8	4	12%
Pauken.	1	0	0	1	6%

Wagner - Gotterdammerung Vorspiel to Akt 2. {Professional production full score.}

Jamie Holdham

4:12	Est. Play Time
43	Measures
	1,563Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 FAGOTTE.	24	0	11	7	96%
BRATSCHEN.	18	16	8	7	93%
View all 28 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 FAGOTTE.	24	0	11	7	96%
BRATSCHEN.	18	16	8	7	93%
Violins	18	14	7	8	91%
VIOLINEN.	27	8	10	6	89%
Violoncelle.	24	0	11	10	88%
1 CONTRABASS- TUBA.	15	0	8	6	52%
BASS-CLARINETTEN.	21	0	10	6	50%
Contrabasse.	19	2	8	7	50%
Oboe	5	0	3	6	21%
	17	9	7	6	46%
Flute	15	2	1	7	45%
	10	0	2	7	19%
B♭ Clarinet	11	0	3	7	19%
	23	6	8	7	43%
1 BASS-TUBA.	11	0	3	5	41%
1 TENOR-TUBA.	7	0	3	4	29%
3 FLOTEN.	10	0	2	7	24%
3 TROMPETTEN.	14	0	5	5	21%
Trombone	2	0	1	2	19%
	2	0	0	2	19%
1 CONTRABASS- POSAUNE.	3	0	0	2	19%
3 HOBOEN.	4	0	1	6	19%
3 Posaunen.	2	0	0	2	19%
Contrabasses	20	0	7	9	19%
3 CLARINETTEN.	9	0	2	7	17%
4 HORNER.	3	0	1	2	11%
Horn in F	2	0	0	2	9%
Bassoon	1	0	0	2	5%

Wagner - Tristan und Isolde Einleitung zu Akt 2. {Professional production full score.}

Jamie Holdham

3:09	Est. Play Time
97	Measures
	2,076Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
4 Horner in F.	23	13	8	8	67%
Horn in F	1	0	1	1	2%
	22	5	5	6	66%
Violinen II.	33	7	14	7	59%
3 FAGOTTE.	31	19	11	7	57%
BaBklarinette in B.	26	0	9	7	53%
Violinen I.	35	1	14	7	48%
2 Klarinetten in B.	28	3	11	7	45%
2 HOBOEN.	19	7	8	8	45%
Bassoon	18	0	5	6	8%
	18	3	8	7	43%
B♭ Clarinet	16	0	7	6	37%
Kontrabasse.	22	1	9	5	30%
II. III. Hr. in F. (a.d.Th.)	7	2	0	9	29%
Englisch Horn.	17	0	7	6	27%
Pauken.	2	0	0	1	23%
VI.	2	0	0	4	23%
Violas	11	0	3	3	22%
2 Floten.	22	1	9	6	22%
I.	7	0	0	9	21%
IV.	5	0	0	8	16%
V.	6	0	0	8	16%
Oboe	9	0	3	7	15%
Violoncellos	16	0	3	4	15%
Flute	10	1	5	4	9%
Violins	12	0	2	3	3%
	4	0	0	2	8%
Posaune.	6	0	2	3	6%

Pro Rady minor

Ivo Románek

0:54	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavír	10	3	3	6	100%
	13	8	5	3	100%
Bas	11	0	4	6	74%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavír	10	3	3	6	100%
	13	8	5	3	100%
Bas	11	0	4	6	74%

AÏDA de Verdi : Chœurs Partie 5/10 Gran finale 2 Parte 1 : Gloria all’Egitto - SOPRANO 1 Peuple

Papibois

9:08	Est. Play Time
239	Measures
	3,731Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	41	148	19	10	96%
	38	94	15	11	96%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	41	148	19	10	96%
	38	94	15	11	96%
Peu. Sop 1	22	0	8	10	41%
Peu. Sop 2	20	0	6	10	41%
Peu. Ten	21	5	7	10	35%
Prê. Bas 2	20	1	7	9	34%
Peu. Bas	17	3	6	10	34%
Prê. Ten 2	19	0	8	10	33%
Prê. Bas 1	19	1	7	10	31%
Prê. Ten 1	22	0	9	9	30%
Re	12	0	4	11	8%
Peu. Alto	9	0	1	7	7%
Ramfis	8	0	4	5	5%
Radamès	5	0	1	5	2%

ROSSINI - Barber Of Seville - Ouverture Symphony for Percussions

Kevfun3

7:19	Est. Play Time
241	Measures
	7,025Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano I	17	8	8	6	11%
	34	0	12	10	87%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano I	17	8	8	6	11%
	34	0	12	10	87%
Piano, PIANO II	30	0	10	8	93%
	16	4	6	6	46%
Piano, Piano III	26	23	9	9	97%
Piano, Piano IV	21	0	6	6	93%
Piano, Piano V	21	0	6	6	90%
Glockenspiel Alto Orff, Glockenspiel	23	0	9	7	67%
Célesta, Celesta III	25	49	9	9	66%
Marimba (double portée), Marimba	28	0	9	2	64%
	11	1	3	1	11%
Clavecin, Harpischord I	19	11	5	7	62%
Harpe, Harp	26	7	9	6	60%
Célesta, Celesta II	24	43	9	8	55%
Célesta, Celesta I	21	0	8	9	52%
Carillons, Tubular Bells	19	1	6	2	44%
Xylophone, Xylophone	13	7	3	1	11%
	30	0	9	3	43%
Clavecin, Harpischord II	8	7	3	6	34%
Orgue, Organ I	17	0	5	4	27%
Orgue, Organ II	15	1	4	5	27%

AÏDA de Verdi : Chœurs Partie 5/10 Gran finale 2 Parte 1 : Gloria all’Egitto - TENOR 1 Prêtre

Papibois

9:08	Est. Play Time
239	Measures
	3,731Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	41	148	19	10	96%
	38	94	15	11	96%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	41	148	19	10	96%
	38	94	15	11	96%
Peu. Sop 1	22	0	8	10	41%
Peu. Sop 2	20	0	6	10	41%
Peu. Ten	21	5	7	10	35%
Prê. Bas 2	20	1	7	9	34%
Peu. Bas	17	3	6	10	34%
Prê. Ten 2	19	0	8	10	33%
Prê. Bas 1	19	1	7	10	31%
Prê. Ten 1	22	0	9	9	30%
Re	12	0	4	11	8%
Peu. Alto	9	0	1	7	7%
Ramfis	8	0	4	5	5%
Radamès	5	0	1	5	2%